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Audiomack’s 2023 Hits: Top 5 Most Streamed Songs Unveiled

Audiomack's 2023 Hits: Top 5 Most Streamed Songs Unveiled

Audiomack’s 2023 Hits: Top 5 Most Streamed Songs Unveiled

Audiomack has unveiled its list of the top 5 most-streamed songs of 2023, highlighting a mix of genres and artists that have captivated the global audience. Here’s a breakdown of these chart-topping hits:

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1. Lonely At The Top by Asake

Dominating the charts, this song by Asake achieved over 117 million streams on Audiomack, making it the first to surpass 100 million streams on the platform. Its official video has also seen impressive success on YouTube, with over 34 million views

2. Amapiano by Asake & Olamide

This collaborative hit amassed 87.7 million streams on Audiomack and over 46 million on Spotify. The official YouTube video further bolstered its popularity with over 23 million views since its release in May 2023. The song’s blend of Amapiano and Afrobeat has been a particular highlight for audiences worldwide​.

3. 2:30 by Asake

Asake’s 2:30 garnered over 68.5 million streams on Audiomack and 31 million on Spotify. Its appeal is evident in its catchy beat and engaging lyrics, with the official YouTube video attracting over 13 million views​​.

4. Gwagalada by BNXN

Featuring Kizz Daniel and Seyi Vibez, Gwagalada by BNXN, formerly known as Buju, brought in over 100 million streams across Spotify, Boomplay, and Audiomack combined. Its release in March 2023 was met with widespread acclaim, and the YouTube video has since amassed over 21 million views​​.

5. Reason by Omah Lay

Omah Lay’s Reason captivated listeners with its unique sound and the artist’s soulful vocals, leading to over 59.6 million streams on Audiomack and 37 million on Spotify. The song’s popularity extended across various streaming platforms, marking its success on Audiomack in August 2023​​.

These songs not only reflect the diverse musical tastes of the global audience but also underscore the growing influence of African artists in the international music scene.

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